Showing posts with label restaurant. Show all posts
Showing posts with label restaurant. Show all posts

Wednesday, 3 September 2014

TRAVEL REVIEW: PARIS LAS VEGAS

Paris Las Vegas in Las Vegas, Nevada. Photo courtesy of Paris Las Vegas.
French faux blurred

By Ed Rampell

In Part I of my two-part travel series on Las Vegas I wrote about experiencing Cirque du Soleil’s fab Fab Four show LOVE The Beatles. Here I write about an enjoyable place to stay, a great restaurant, an amusing magic act and more.

Abracadabra!

I’m not an expert on magicians (although Houdini was my childhood hero), and Reynold Alexander’s show at the Clarion Hotel and Casino is one of the few I’ve ever seen in person. Much of the bearded Alexander’s act consisted of a variety of card tricks, levitations, disappearances and reappearances. Of course, there is the obligatory, always crowd pleasing (and mystifying) sawing of the attractive ladies in half, too. Most of the deftly executed procedures left members of the aud scratching their noggins and wondering; “Hmm, how the heck did he do that?” The show also included the use of shadows, which reminded me of Indonesian “Wayang Kulit," or shadow puppets, and taped music, including Scott Joplin pieces.

As Alexander the Great hails from Puerto Rico his performance has a Hispanic flair. In addition to his two attractive female assistants who happily submitted to being vanished, banished and sliced and diced in various boxes, Alexander’s ragtime band included lots of comic relief. This came in the form of the corpulent Hansel, who opened wearing a white jacket and bowtie and black shirt and slacks, and humorously explained his trickery, such as pouring milk into a rolled up newspaper. Throughout the hour-or-so-long performance, just for gags a clownish caricature of Latino dancers burst onstage to “disrupt” the proceedings with a rather droll spoof (or perhaps homage to?) the type of goofy hoofer one might see in Hispanic variety shows.

Alexander’s routine ended on a touching, personal note that I’ve not seen elsewhere, wherein to mark the time we’d spent together the illusionist used sand to illustrate the nature of the passage of time. It was well done and moving.

Paris Las Vegas: The City of Lights in Sin City

I just watched Diamonds Are Forever on cable TV, and this was the first time since this James Bond flick was released in 1971 that I had seen it since. An interesting aspect of Diamonds Are Forever is that much of this last installment of Sean Connery in the Broccoli-Saltzman 007 franchise is its location shooting in Las Vegas. This seemed to be shot before the construction of the Strip, and those themed resorts. I stayed in one of the latter, the Paris Las Vegas, which is, obviously, modeled on the fabled City of Lights.

The sprawling, labyrinthine, cobblestoned walkways, hallways and lobby have a faux French flair. For example, cafés offer baguettesand brioches, crystal chandeliers hang above the main lobby where guests check-in, plus the Baroque-style architecture all enhance the Gallic ambiance. As does the blue, yellow and red hot air balloon structure bearing the “Paris” sign facing the Strip, which is illumined at night and was inspired by the Aerostat Réveillon, the balloon used in a September 19, 1783 demonstration for King Louis XVI in Paris by the Montgolfier brothers, for the first lighter than air flight.

Of course, the hotel’s Francophile pièce de résistance is its reconstruction of Paris’ most famous landmark, the Eiffel Tower. At 460 feet tall, the Las Vegas replica is half the size of its Parisian counterpart. The reason for this half-size scale is that the Paris Las Vegas is located too close to McCarran International Airport, so zoning and safety issues forbade building a 986 foot structure. This despite the fact that it, too, is lit up at night, making it one of the Strip’s most recognizable sights since fireworks were shot from it on Sept. 1, 1999, when French actress Catherine Deneuve performed the honors and with the flip of a switch illuminated the imitation City of Lights.     

It’s well worth a visitor’s time and money to buy a ticket to ascend the Paris LV Eiffel Tower on a sunny day (of which there are beaucoup in the Nevada desert) and/or at night, when the Strip is ablaze with neon, offering an entirely different fiery vista. In daylight the sumptuous, resplendent views stretch beyond Sin City’s limits to the mountains and deserts afar. For newcomers to Las Vegas, these panoramic scenes can help orient tourists to a cityscape that is often ajar with a profusion of crowds on sidewalks and traffic clogging the Strip and other streets. The views from on high offer different perspectives from ground level perceptions, providing a visual sense of place.

My room at Paris Las Vegas was spacious and comfortable with a large window facing away from the Strip (a room with a view of this stretch of Las Vegas Boulevard is more expensive). Paris Las Vegas' two-acre, outdoor pool is gigantic, although there is little shade for much of the time during those long, sunny Nevada summer days. (Tip: It’s shadier if you take repose on a lounge chair near the base of the Eiffel Tower.) Nevertheless, I had fun frolicking and hanging out poolside with my longtime friend, comic Tamayo Otsuki, that delightfully kooky kabuki player. Like a desert oasis, the pool cooled things off, as did the liquid refreshment provided by a poolside bar and bikini-clad waitresses.

Le Burger Brasserie: Gourmet Gluttony on the Bounty

One of Paris Las Vegas’ various restaurants is the wood paneled Le Burger Brasserie, which its passionate General Manager Jason Rinta described to me as being where “food fanatic meets sports fanatic.” Indeed, in addition to its many flat screen TVs, where fans watched the World Cup live during the soccer championship matches, as well as other sporting events, such as good ol’ baseball games, the classy yet reasonably priced Le Burger Brasserie’s cuisine tickles and entices foodies’ taste buds.

Playing off of the triple seven combination that spells luck for gamblers (it is Vegas, after all!), at the high end of the sports grille’s menu is a $777 (per person) dining experience that includes a half pound Kobe steak, lobster tail, foie gras, Dom Pérignon champagne and more. Needless to say, your struggling scribe ordered other dishes. To drink I had a nonalcoholic Daryl Strawberry Mint Lemonade minus the vodka, consisting of minty, club soda, strawberry, lemonade and perhaps lime, which not only cooled me off like a dip in Paris Las Vegas' pool, but refreshed my palate. Guided by our knowledgeable, good-natured waitress, Allison, who was tattooed with a musical motif, we ordered a somewhat spicy, very creamy concoction, Buffalo chicken dip with Point Reyes cheese and pretzels for dipping and bread (baking is done daily on Paris Las Vegas' property) for swiping. This was followed by a Pazanella salad composed, like a salad symphony, with bibb lettuce, artichokes, fresh mozzarella, pesto, vinaigrette and toast.

To tell you the truth this would have sufficed for supper, but as it is Le Burger Brasserie -- and the eatery does boast that it serves Las Vegas’ best burgers -- for my entrée I devoured a delicious, gourmet veggie burger with Portobello mushrooms and French (well, it IS the Paris!) fries. To help wash all this down we ordered a cereal inspired drink, a Captain & Crunch milkshake, which combines the breakfast cereal with vanilla ice cream and Captain Morgan rum. It was an interesting mélange, but after a sip, let’s just say that just because you can do something doesn’t mean you should.

As if all this wasn’t enough, for dessert we indulged in S’mores Cheesecake, with toasted marshmallow ice cream, graham crackers, and various chocolates. It was a fitting grand finale for our gluttony, a not-so-deadly sin in Sin City, which we thoroughly enjoyed, along with Allison’s always attentive service. GM Rinta, who has worked in Las Vegas for eight years, explained how he’s trying to put his stamp on Le Burger Brasserie: “I try to be innovative. I launched a new menu in March. Before then it was more French-themed; now it’s more a la carte and fresh.”

Aside from the throngs and traffic, I enjoyed visiting Las Vegas, with its shows ranging from Cirque du Soleil’s LOVE to the magical Reynold Alexander, and staying and dining at Paris Las Vegas and Le Burger Brasserie. However, if you really want to get a sense of what the real (and not the ersatz) Paris is like, the next time you hit the jackpot run straight down to McCarran International Airport and book a flight to alight at France’s exquisite City of Lights.         

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Tuesday, 17 June 2014

LAFF 2014: EAT WITH ME

in Eat with Me. 
Half-baked

By Ed Rampell

Eat With Me, which world premiered at the LA Film Festival, alternates between being an enjoyable, poignant coming out comedy drama and a paint -- or rather film -- by the numbers story. The plot of writer/director David Au’s feature-length directorial debut movie also has more holes in it than -- to use a culinary comparison -- Swiss cheese.

Elliot (the diffident Teddy Chen Culver) is a restaurateur of what is presumably a Chinese (like much else in this story, Au never specifies the ancestry of his Asian-American characters) eatery that is more or less a run of the mill dive in (presumably) a rather generic Downtown L.A. that could be the downtown of almost any urban American center. As the restaurant with its mediocre menu faces shuttering, after a falling out with her husband (over what, we’re never really quite sure) Elliot’s mother, Emma (the wonderful Sharon Omi), suddenly shows up out of nowhere and starts lodging at her son’s pad in (presumably) Downtown L.A.

Complications ensue, as Elliot’s homosexuality becomes an inescapable fact that Emma must contend with and face. She had more or less previously known of her son’s sexual orientation but preferred to ignore it. Eat With Me is most insightful when it shows how Elliot’s parents’ failure to communicate is passed down to him, resulting in his inability to form lasting relationships and his miscommunication with the sensitive musician, Ian (Aidan Bristow).

The various cooking sequences have that painting/filming by numbers quality: There is a food network, chefs are celebrities, Anthony Bourdain has replaced the news on CNN, so Au appears to be pandering to that coveted foodie demographic.

The strength of Eat With Me is its cast, led by the estimable Sharon. Oh my, Omi is stellar as a loving if traditional, conservative mom who struggles with her son’s “deviance” off the beaten sexual path and with her deep maternal instincts, which she expresses by cleaning his loft and by, but of course, cooking for the son she is desperately trying to reach to and connect with. Previously, Omi has mostly been confined to small big and little screen roles but here this gifted artist is allowed to shine in a lead role, and we are all the better for it.