Enzo Avitabile in Enzo Avitabile Music Life. |
After documenting songwriters such as Byrne, Robyn Hitchcock and Neil Young, Demme’s artistic attraction to Avitabile is obvious. Demme has repeatedly revealed a certain fondness for capturing unique creative processes in the act. He either assumes that we already know the backgrounds of these artists, or he does not think that matters when it comes to their genius. He makes a fleeting exception for Avitabile, however, considering his strong ties to his Naples. Though, interestingly enough, Demme opts to allow Avitabile the chance to revisit his past at the end of the documentary, practically as an afterthought.
What surprises me most about Envo Avitabile is Demme’s apparent disinterest in the visual elements of the film. This is an incredibly intimate production shot primarily with handheld cameras; there are no lighting rigs, it is all just point and shoot camerawork. Curbing his auteurism, Demme lets Avitabile provide all of the glitz and eccentricities of the film. Luckily, Avitabile possess more than enough charisma to distract from the gritty production.
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