A scene from Purgatorio. |
By John Esther
Two men stand outside a large fence waiting for the right time to climb over, leaving a family behind. Another man leaves water for those who have made it over the fence while another man goes around picking up what he thinks are clues for people who have crossed the border unannounced. Others are imprisoned by drugs, violence and vengeful fantasies. Borders as large prisons.
Bullets litter automobiles, kill three policemen, and a local drug dealer. Deadly currency. Automobiles, planes and buildings rust in the dessert sun. Scrapyards of paradise lost. (Forever?)
Drug gangs rule the land, abandoned dogs roam the land while others just run to wreck it. To be sure, a few good men and women remain, but the ugly weight of a divine comedy has turned into a human tragedy. It is hard to strive when one can barely survive.
These are ideas, attitudes and illustrations of Rodrigo Reyes' Purgatorio: A Journey Into the Heart of the Border. An intellectually impressive and refreshingly angry documentary -- which also happens to be the best thing I have seen at LAFF 2013 hitherto -- Reyes moves around an undisclosed part of the Mexican-U.S. border casting his eyes toward unnamed men and women beaten by the system while lending his ears to people who have not been beaten by the system, yet.
Between the interviews, Justin Chin's cinematography captures the haunting landscape where our "hero" shakes his tongue, trying to find salvation in a cold and indifferent universe. If this is purgatory, how can the inferno be worse?
Highly recommended.
Purgatorio screens at the Los Angeles Festival June 20, 7 p.m., Regal Cinemas. For more information: Purgatorio at LAFF 2013.
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