A scene from Jackpot. |
Murder after numbers
By John Esther
In the opening scene of Jackpot (Arme Riddere), a trio of drunken idiots walks right into the door of a strip joint near the Norway-Sweden border, only to be blown out the window by gunfire. Mayhem and murder ensues with only one survivor, Oscar (Kyrre Hellum), to bare true/false testimony.
Primarily using an interrogation scene to drive director Magnus Martens’ film, we learn – in ways reminiscent of The Treasure of Sierra Madre, Memento, The Usual Suspects and Fargo -- Oscar and his ex-con co-workers at a plastic Christmas tree factory legally come into a large sum of money. Unfortunately, money can destroy the best of victories, especially ones among thieves.
Violent, predictable and splattered with morose humor, if you are willing to suspend disbelief back to the days before DNA testing, this Norwegian holiday tale, written by Jo NesbΓΈ (Headhunters), makes for moderate, middlebrow entertainment. The film’s strongest suits are Lina Nordqvist's excellent production design andthe performances from its cast, including Hellum, Henrik Mestad as an arrogant detective, Mads Ousdal as Oscar’s lifelong buddy and Fridtjov Saheim as a crooked ex-cop.
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