AFI 2011: LE CERCLE ROUGE

Corey (Alain Delon) in Le Cercle Rouge.

Another round with a master

By Ed Rampell

One of the great things about film festivals is that screenings of classic movies can revive forgotten or overlooked pictures, and give audiences a second look at them. It’s sort of like discovering a long, lost relative, and the AFI Film Festival is no exception to this revival tradition. Guest Artistic Director Pedro Almodóvar selected and introduced one of his personal favorites, Jean-Pierre Melville’s Le Cercle Rouge.

With crime dramas such as 1956’s Bob le Flambeur, Melville was one of those few pre-New Wave French directors the Cahiers du Cinema gang of upstart critics championed. During his intro at the Egyptian movie palace, Almodóvar noted the lingering influence Melville has had on auteurs, such as Pulp Fiction’s Quentin Tarantino. The Spanish director of films such as 1988’s Women on the Verge of a Nervous Breakdown also informed the audience that while the title of Le Cercle Rouge refers to a Zen saying (and not to a European terrorist group) “alluding to destiny,” that viewers should not be on the verge of a nervous breakdown because this thriller “is not a Zen film but an intense action” movie. Although the 1970 French picture does indeed open with a quote from Rama Krishna, Almodóvar is, of course, right.

This caper film follows two criminals and a policeman drummed off of the force for corrupt behavior. The dashing Alain Delon, a sort of Gallic Errol Flynn, stars as the convict Corey, who is released from prison but plans another big heist. The Italian actor Gian Maria Volontè plays Vogel, a con on the run whose fate becomes wrapped up in Corey’s. They have a solidarity with one another forged in the crucible of crime. Significantly, the nature of the offenses they have committed is never revealed.

They join forces with the great French actor Yves Montand -- a dead ringer for Bogie in his trench coat -- who plays the defrocked cop Jansen, who despite his inner demons is a remarkable marksman.

The cat-loving Corsican Commissioner Mattei (André Bourvil) is hot on their trail, as the cynical Inspector General (Paul Amiot) -- who suspects most men harbor evil in their hearts and presumes all men to be guilty -- breathes down Mattei’s neck to recapture Vogel, who’d escaped from his clutches. As Almodóvar noted in his intro, Le Cercle Rouge is a profoundly “pessimistic film,” but this movie made by the director of three policiers starring Delon, including 1967’s Le Samouraï, is great fun to watch as over the course of two hours and 20 minutes, the characters meet their preordained destinies.